My illustration of Cobie Smulders to accompany her essay in this week’s Lenny Letter. It was as such a pleasure to create this, she’s a very brave woman. (at Dublin, Ireland)
James Blake - I Need A Forest Fire (ft. Bon Iver). Love love love this.
Cheeky snap of Georgia O'Keeffe’s From the Faraway, Nearby (1937). Badass women were the focus of our whirlwind London trip Guðmundsdóttir / Riley / O’Keeffe. ‘The bones do not symbolize death to me. They are shapes that I enjoy. It never occurs to me that they’re about death… they seem to think that painting bones is news… It makes me feel like crawling far far into a dark hole and staying there a long long time.’ (at Tate Modern)
Olafur Eliasson’s Yellow versus Purple (2003) “Do colours exist when we are not looking at them?… When you stare at something bright yellow, then stare at something white, you see a purple ‘after image’” (at Tate Modern)
Chris wanted his photo taken with the Bridget Riley paintings, which says a LOT #TheBoyHatesPhotosButLovesBridget Bridget Riley’s Nataraja (1993) (at Tate Modern)
The #Björk fan antics continued at Björk Digital. Enjoyed one to one performances from the woman herself. Total VR immersion and I loved it. Tote bag text from ‘Who is it?’: Carry my pain on the right (at Bjork Digital, Somerset House) Group photo: Bjork.fr
I couldn’t see her *quite* this clearly but she enchanted nonetheless. Absolute magic! (at Royal Albert Hall)
Fun natural science inspired collage I made a few months back. Figured I should start posting work on Instagram, here goes! - Orlagh Murphy
Tile patterns meet street art. Love this!
Cubes and swirls
Trippy cube pattern (at Centro Ciência Viva de Lagos)
#music #beachhouse #indie #amazing #beautifulsong #songs #sparks #listen #listeningto
Five chapter opening page illustrations for The K Club Cookbook: Producer to Plate
Client: The K Club, Ireland
Author: Finbarr Higgins
Publisher: Cork University Press
(Source: orlaghmurphy.com)